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             Exhibition notice | the Second Anniversary of the Establishment of Subei Painting and Calligraphy Group and
            •  Exhibition notice | the Second Anniversary of the Establishment of Subei Painting and Calligraphy Group and

            Exhibition notice | the Second Anniversary of the Establishment of Subei Painting and Calligraphy Group and "the Movement of Searching" -- Works Exhibition of He Hucheng, Zhang Weixing and He Zhengfa

            ◇ Exhibition time:October 27-November 4, 2018

            ◇ Exhibition venue:Xuzhou Museum, Xu Peichen Art Museum

            Introduction


            China Art Press

                  Leave the origin and return to the origin

                  The second anniversary of the establishment of the northern Jiangsu painting and calligraphy group, the fifth anniversary of the publication of the northern Jiangsu painting and calligraphy, and the "movement of the search - He Hucheng's works exhibition of teachers and students", seem to have returned to the starting point.

            Subei painting and Calligraphy Institute, cross strait painting and calligraphy masters Association, China niuhua painting and Calligraphy Creation Research Institute, China He Zhizhang culture and Art Research Institute, China painting and calligraphy daily Huaihai Art Center, China history and Culture Research Association The establishment. Every step is the starting point, is the trek, only efforts, no choice. Returning to the starting point is a kind of spirit, which means self-criticism, self challenge and self transcendence. But the starting point can only not forget the original intention and innovation. The so-called starting point can only be rebuilt, but also rebuilt. The new starting point must be creative, sensitive, open, sharp and compatible. But it needs a kind of joint force to push forward the starting point, which comes from the decision-makers, creators, defenders and even stops of the northern Jiangsu painting and calligraphy group. A growing child always thinks that she is mature. Although there is no lack of precocity, her childishness is an objective reality. She likes to get everyone's approval and love, but it is more necessary for someone to point out its astringency and flashiness. Of course, because of its naivety, it has more potential. "Art for the body, culture for the soul" is our pursuit, we will continue to go as we go, and strive to be closer to the times and the pulse of the public. Subei painting and calligraphy group may not be obvious, but we sometimes masturbate, because of her taste and multi unit construction. If we don't take kitsch as a guide, we will inevitably be criticized and reminded by "the high and the low". But just as the higher art can't get immediate effect, the culture of "devote oneself to the way of art" also has a process that is gradually recognized. With the it, it will naturally vary with the maturity of the art. We firmly believe that big, classic and serious things will be embraced. We can tell you the tenet of the northern Jiangsu painting and calligraphy group: serious but not rigid, calm but not slow, enterprising but not rash, relaxed but not superficial. Now we can at least look back on the road we have passed, think about the significance of the existence of the northern Jiangsu painting and calligraphy group, and start as soon as possible. To build the first Chinese painting and calligraphy brand is the goal of Subei painting and calligraphy group.

                  On the way forward, we will encourage ourselves with this, where the lights are dim. I believe that Subei painting and calligraphy group will leave you a solid and broad back.

                  (the author is a member of China Writers Association, director of Huaihai Art Center of China painting and calligraphy daily, and chairman of Subei painting and calligraphy group)

            Artists

            He Hucheng

                  He Hucheng was born in a Book family, Xiaoshan, Zhejiang Province, and Liguo, Xuzhou, Jiangsu Province. He has a doctor's degree, is a member of China Writers Association, a senior editor and journalist, once served as the vice president of China Economic and trade times and vice president of China Contemporary Art Press. He is a famous freehand painter in China. His main work is painting cattle. His work style is unique and he has become his own. It has held solo exhibitions in more than 20 countries and regions, including Taiwan, Japan, Singapore, Egypt, France, Germany, the United States, etc. more than 50 works have been collected abroad and become one of the most powerful painters in the world of collection. It has successively established "Subei calligraphy and Painting Institute", "China cattle calligraphy and painting art research institute", "Taiwan calligraphy and Painting Masters Association", "China calligraphy and painting daily Huaihai Art Center", "China He Zhi Zhang culture and Art Research Institute" and two construction development companies, etc. In June 2016, the first painting and calligraphy group in China, Subei painting and calligraphy group, was officially registered and established. Now, it is the chairman of the board.


            Zhang Weixing


                  Zhang Weixing graduated from the former Central Academy of Arts and crafts, and is now a member of the Chinese Traditional Painting Association, a director of Nanjing flower and bird Landscape Research Institute, a member of Suqian Art Association, and a special lecturer of Suqian Fuchun calligraphy and Painting Institute. The works follow the principles of both learning from the ancients, inheriting the tradition, and learning from the nature, reflecting the self, so they can show their beauty in the rough, and see their natural and unrestrained in the thick. Under the guidance of his mentor, he used his pen to give color and new ideas, which made his works vigorous and vigorous, especially the little freehand plum blossom to achieve black, ancient, strange, crazy and wild artistic conception. Zhang Weixing's calligraphy and painting works are also loved by collectors and galleries all over the world. He has been invited to exhibitions and pen meetings at home and abroad for many times. Works and reports are often published in art, China pictorial and other professional newspapers and online media. In 2007, his works were selected into "China Artists Nomination Exhibition" and won the gold medal of Shaolin Kung Fu cup in 2008. In 2011, he won the silver medal in the second wudaozhen Art Fund exhibition. In 2016, his works won the gold award of "charm of calligraphy" in Nanjing. In 2018, monkey paintings such as "rare gourd", "golden house in book", "Chinese dream" and "leaving only fresh air to fill heaven and earth" were permanently collected by Wu Chengen's former residence, Lianyungang journey to the West Research Association and Tsinghua University Academy of fine arts.


            He Zhengfa


                  He Zhengfa, grandchildren 74 generations of He Zhizhang.alternative name: the owner of the tiger holding room, the young inherits the family's learning and specializes in lion and tiger animal painting. His works have been auctioned by: Qin Baozhai, Libang, four seasons of Mo Lin, Lantai art auction, Shenyang auction house, etc. Now: one of the founders of Chinese painting tigers. Tang Jian: a descendant of Tang's meticulous tiger painting. President of Northwest painting tiger Research Institute. Honorary Dean of Xi'an Qujiang culture college, etc. It was interviewed and reported by many multimedia websites. His works are collected by Liang Xiaolong, Lu Shuming, the government of St. Petersburg, Belgium, Portugal, Yu Youren Memorial Hall and other famous stars and institutions, as well as one of the leading figures in the contemporary animal painting of Chang'an school.






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